13 curated places in Australia. Hand-selected for the space as much as the music. The Sonic Paths editorial cut.
Jørn Utzon's billowing concrete sails on Bennelong Point, opened 1973. The renovated Concert Hall (reopened 2022) sounds as good as the roof looks, with birch-veneered acoustic petals tuning the room in real time.
ARM Architecture's 1,000-seat shoebox in Southbank, opened 2009. Plywood tree-bark interior, Arup-tuned acoustics. Cited by working soloists as the cleanest small-room sound in the southern hemisphere.
Roy Grounds' 1980s underground concert hall, redesigned 2012 by ARM as a sequence of cantilevered timber drums. 2,466 seats sunk three storeys below the Yarra floodplain. Melbourne Symphony Orchestra's home.
John Morphett's 1973 white-tetrahedron roof on the Torrens, the southern hemisphere's first multi-venue arts complex. Sister sculpture to Sydney's sails. Anchor of WOMADelaide each March.
Howlett & Bailey's 1973 brutalist temple in raw concrete and warm jarrah. Recently renamed Iwelam (Noongar for place of music). Houses the largest mechanical-action pipe organ in the southern hemisphere.
Robin Gibson's 1985 modernist complex on the South Bank. 1,600-seat fan-shaped hall built around a 6,566-pipe Klais organ, the largest in Australia. The starry-night ceiling reflectors double as light sources.
1999 chamber shoebox tucked into Angel Place between two skyscrapers. The only purpose-built concert venue in Sydney since the Opera House. Australian Brandenburg Orchestra home.
Annual world-music festival in Botanic Park since 1992. Stages spread under 200-year-old Moreton Bay figs whose buttress roots make natural amphitheatres. Four days every March.
Easter-weekend festival on the Tyagarah Tea Tree Farm, 11 km north of Byron Bay. Six big-top tents in rolling pasture, Pacific paddock-away. The medicinal-herb smell at dawn is part of the listening.
Two-week midwinter festival at David Walsh's MONA museum, June each year. Subterranean Berriedale gallery becomes the engine room for ritualised noise, fire, and ceremonial swimming.
The world's largest monolith, sacred to the Anangu people who have sung this country for at least 30,000 years. The rock itself is the world's most patient acoustic instrument. Public ceremonies are rare; the silence is the programme.
250-cap pressed-tin-ceiling bandroom in the back of an 1854 hotel on High Street, Northcote. The prototypical Melbourne pub bandroom. Courtney Barnett, Big Thief, Phoebe Bridgers all played pre-arena.
Longest-running Australian transformational festival, since 1998. Four days annually in bush venue west of Melbourne, Victoria. Psytrance and electronic programming with strong art-installation and ceremonial elements.